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Solo-
and Chamber Music
Literature
of the late 20th Century for Violin and Viola
Aiming
at composition and high string students.
The
students will be introduced to compositions by John Cage, Marko
Ciciliani, Burkhard Friedrich, Nicolaus A. Huber, Jeff Kowalkowski,
Roger Reynolds, Helmut Lachenmann and Manfred Stahnke to display
different playing techniques and compositoral means:
- new
instrumental techniques and examples of how composers have been
using them
- Co-creating
/ chance composition:a challenge for interpreters and composers
- scordatura:
advantages - problems, notation, characteristics of sound
- quater
tones:
- as
an harmonic field
-
building a structure within a sound- or noise family
-
for creating special sonoric colours
- harmonics:
qualities and peculiarities of natural harmonics and artificial
harmonics
- the
timbre and characteristics of the viola: register, colours, sonority,
negotiability, mensura in comparison to the violin
- how
to notate:
- space
notation
- scordatura
- quater
tones
- harmonics
- DO’s
and DON’T S:
- for
composers
- for
interpreters
- on
stage
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